articles
todd
camplin
2014
digital_geometrics
at Museum of Geometric and MADI Art through march 30
by Todd Camplin   

Digital art hasn't fully come of age as an art form, but this kind of work is getting broader acceptance faster
than photography. Several years ago I found myself on the west coast. I walked into lacda (Los Angeles
Center for Digital Art) and I was incredibly inspired by the digital art they were exhibiting. Locally, when
And Or Gallery was around, they had a strong focus on the digital. Now and then, UTD's Central Track
has had some technology  and digital shows, but leave it to the Museum of Geometric and MADI Art
to have a really focused show about digital art.  
As a dabbler in the digital art realm myself, I often find that a really good piece never comes out quick
and easy. A good amount of planning and thinking goes into each work. The curator and artist Alan
Engisch put together some thoughtful artists and work of his own. Engisch’s digital print, along with Paul
Abbott, looked digital sourced. All the hallmarks of pixelation or extreme repetition were there. I couldn’t
quite pick out the exact process Abbott was using, but I felt the touch of “filters” somewhere. James
Allumbaugh uses primitive software of MS Paint and his images are as simple as the tool, yet I am
reminded of Russian Constructivist paintings. And his colors are garish and playful, much like many
of the MADI artists I have encountered. Vlatko Ceric also reminds me of early Modern artists. His
straightforward blocks arranged like a checkerboard is very Victor Vasarely, without the Op. Tim
Bolt is referencing the Modern period with his stacked patterns that seem to create a visual vibration.
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Paul Abbott - Title: “016_HF#13.9.28.B8”  2013, 13x13” - Medium: Digital print
Henry Biber and Elle Schuster print their images on aluminum. I always thought this material gives a
kind of digital flat screen feel. Biber works minimal while Schuster maximizes the surface with fractal
program involved, but her choices as an artist make or break an image. I have seen John Holt Smith’s
work on aluminum as well. His choice of c-print is a common print type for color photography. There
has been some debate on if digital prints are really an evolution of photography. I think the line is a
little blurry, but after all, we live in the era of “hybrid form.” Rich Morgan’s c-prints are photo
manipulation at an extreme level. He is working in photography and yet he has transformed
his image into something completely new.  
Lane Banks uses computers the same way past artists treated drawing, as sketches for the final
work. So, you find his paintings on display instead of digital prints. Sevan Melikyan also paints his
minimal/pixelated painting.

I enjoy digital art and work inspired by the digital, so I was glad to see that
Museum of Geometric
and MADI Art was open to such a show. I look forward to future shows of digital art at the Museum,
because Dallas needs dialog about this type of art production. The more places open their
doors to exhibit it, the more digital art will reach wider acceptance. Visit the work by Vlatko
Ceric, Elle Schuster, James Allumbaugh, Paul Abbott, Tim Bolt, Lane Banks, Henry Biber,
Rich Morgan, John Holt Smith, and Sevan Melikyan, and Alan Engisch.