.
.
© 2007-2013  moderndallas.net. - all rights reserved.
_______________________________________________________________________________________________________________________________
_________________________________________________________________________________________________________________________________________

_______________________________________________________________________________________________________________________________

DU CHAU +  LETITIA HUCKABY  
at Kirk Hopper Fine Art opens through  february 09  
by Todd Camplin

I was out Thursday of last week, visiting art galleries and most everyone was gearing
up for this weekend. Even the MADI museum is opening with a Victor Varsarely show
that will be a must see. Kirk Hopper Fine Art was installing their show and I briefly met
their featured artist Du Chau. His politically charged photographs were prominently
featured in the large space, but for me Letitia Huckaby's combined work titled
"Bygone" stole the show.
Though Du Chau silkscreen prints his images; the work looked like your basic Photoshop messing
collage. Chau generally created two juxtaposed images to create a narrative, which made
for a quick read of his idea. In the work, We Live, We Die, I felt the present image was an
interesting picture of people tending rice fields, but his use of the past image felt too iconic
and familiar to have strong effects. I did like Point of View, for its obscured image of a rice
farm with simple patterned fruit like shapes, but even this image felt a bit clumsily applied.

Letitia Huckaby is a hybrid form artist, who uses photography with textile crafts, creates images
rooted in her family narrative. Though this show references only quilted material as part of her
subject matter; I can still feel a real continuity with  her older work. Her central figure is a ghostly
powerful shadow showing through  the decorative quilted sheet. Huckaby is not depicting a
tragic history as Kara Walker's silhouettes, but shadows of a more recent past filled with hopes, dreams,  
and aspirations for the future. I felt lifted up by Huckaby's work. A history of family  
was implied in the figure and the quilted sheet only bolsters that idea.

I recall briefly visiting her studio in grad school. Huckaby was printing photos on quilts then and
a few of her photo colleagues grumbled about her process. They didn’t understand that all
material is open to being printed upon and photography isn’t limited to the purely traditional
material of paper. Most photography tells a story and Huckaby weaves in a stronger narrative
by using or depicting her textiles.
Du Chau - Point of View, 2012, drypoint with chine colle on color print, 22" x 30"
Letitia Huckaby - Sarena, 2012, pigment print on watercolor
paper, 20" x 30," Edition of 7
receive moderndallas.weekly
email:
please support
our charities

Follow Me on Pinterest