at Cris Worley Fine Art through June 21st
by Todd Camplin

Summer seems to be the perfect time for galleries to bring out a group of artists from their stable and then
put on a group show. Summer is also a good time for galleries to test the waters on a few new artists or
new work by a particular artist the gallery represents. A gallery can create a similar feeling you might
get at an art fair booth. The fair circuit seems to encourage the galleries to show as many artists as
they can in a small space, which is fine, but I tend to get a visual overload without the breaks in
between spaces. Gallery hopping has a complete different effect. Sure you don’t get the exposure
of the international galleries showing head to head with the local galleries, but you do get a nice
visual break. A gallery can also be a little more bold in their groups shows, because they own the
space. Cris Worley Fine Art played her part in doing the ever present summer group show, but with
some interesting surprises.
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Robert Lansden’s drawings greet you as you walk into the front space. His purples were so rich
and the aspects of a powerful abstract art piece. Lansden’s works are smaller than someone
like Robert Mangold, but Lansden’s drawings has similar presence. I saw a perfect balance
of minimalism with obsessive mark making. Those little dashes reminded me of the visual effect
created by the painted dots of color which fill space on Turkish Chini pottery.
Paul Booker
Yellow Arrows: Five Obstacles, 2014
ink and watercolor on paper
30 x 22 inches
Anne Allen used the gallery walls as a drawing surface for her installation. Allen’s drawing hugged
the corner of the second gallery space. I kept returning to these wonderful marks. I understand it
took several days to complete. Anne Allen can draw on my walls any day. Paul Booker shows a
familiar painting, but still always worth mentioning. I was very happy to see the return of Murielle
White. She presented a drawing that manages to feel empty and busy, simultaneously.
Contradictions in an art piece can either destroy or enrich the work. White succeeds in
enhancing the experience through little marks that build, but trail off to quite spaces.
Cris Worley took a risk on some new talent. Francisco Moreno had a painting of an eagle made
with dash marks that felt more like a drawing than a painting. I will admit, I was completely
perplexed by the work as a single object in a group show. I couldn’t quite understand what
made the work engaging, until I did a little research. In Moreno’s case, being part of a group
show pulled his work out of context from the rest of his aims. It feels Moreno is tapping into a
deadpan Post Modern irony in his work. But this is not made abundantly clear without
supporting work.

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Anne Allen, Hairnet, 2014
graphite on drywall
dimensions variable
commission price upon request
Celia Eberle
Obsession, 2014
artist's blood on watercolor paper
20 x 16 inches
Kristen Cliburn
Blue for You, 2014
Other artists in the show include: Shannon Cannings, Maysey Craddock, Isabelle du Toit, Celia
Eberle, Simeen Farhat, Greta Gundersen, Paul Manes, Shayne Murphy, Rusty Scruby, and Kelli
Vance. You only have another day to see the show, but the upcoming show on the 28th of
June will feature the first solo show of artist Kristen Cliburn at
Cris Worley Fine Arts. Cilburn is a
Houston artist that paints really upbeat works that feel atmospheric as a Rothko. I look forward
to seeing these incredibly sublime works.