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| Creating a Livable Modern Style by Hardy Haberman |
| Milo Baughman once said, “Furniture that is too obviously designed is very interesting, but too often belongs only in museums.” Those words would be both part of his design ethos and would come back to haunt him. Though the name may be unfamiliar, most of us have probably had some interaction with Baughman’s designs. His furniture designs have graced millions of homes and commercial spaces over the past half century and continue to hold their minimalist good looks and geometric appearance. Born in Kansas, Baughman spent much of his early life in California where he studied at the Art Center School of Los Angeles, the school that later became the California Institute for the Arts. After serving in World War II in the Army Air Corps, he returned to California to complete his education. |
| 820-400 Chaise – (1954) |
| By the 1970’s Milo Baughman’s name was synonymous with modern furniture. His designs proved popular not only because of livable. At a time when some modern designers were looking toward a stiff formalism, Baughman wrote “a forest of black iron threatens to overwhelm us.” His designs always had an inviting touch that was lacking in other designer’s work. He defined good modern design as, “honest, simple and straightforward”. Eventually, his works became such icons of modern design that ended up in several museums including the Whitney in New York. In 1987, Baughman himself was inducted into the Furniture Designer's Hall of Fame./ |
| California played a big part in his career and his design sensibilities. Baughman is identified with the mid 20th Century California Modern movement and was one of its most prolific designers. Much of his work from the 1950’s and 1960’s was considered too avant guard for the market and has been reissued recently and is still popular with decorators and architects. In 1953, Baughman began a long and prolific association with Thayer Coggin, Inc, of High Point, North Carolina. Milo soon became the chief designer for the furniture manufacturer and his collections became a staple of the firm. |

| 989-103 Lounge Chair – (1963) |
| Baughman continued designing modern furnishings at his studio in Salt Lake City until his death in July or 2003. His timeless works still command the attention of decorators and collectors throughout the world. During a 2003 interview at the premier of his 50th Anniversary Collection for Thayer Coggin, Milo was quoted as saying, “good Modern has already proven to be the most enduring, timeless and classic of all design movements.” His designs are lasting proof of that concept. |

| 3405 Tub Chair |
| resource: Thayer Coggin www.thayercoggin.com |
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